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Frankenstein by Mary Wollstonecraft Shelley
How is this book unique?
Frankenstein; or, The Modern Prometheus is a novel written by the English author Mary Wollstonecraft Shelley about the young science student Victor Frankenstein, who creates a grotesque but sentient creature in an unorthodox scientific experiment. Shelley started writing the story when she was eighteen, and the novel was published when she was twenty. The first edition was published anonymously in London in 1818. Shelley's name appears on the second edition, published in France in 1823. Shelley had travelled through Europe in 1814, journeying along the river Rhine in Germany with a stop in Gernsheim which is just 17 km (10 mi) away from Frankenstein Castle, where, two centuries before, an alchemist was engaged in experiments. Later, she travelled in the region of Geneva (Switzerland)—where much of the story takes place—and the topic of galvanism and other similar occult ideas were themes of conversation among her companions, particularly her lover and future husband, Percy Shelley. Mary, Percy, Lord Byron, and John Polidori decided to have a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made; her dream later evolved into the novel's story.
- Sales Rank: #683232 in eBooks
- Published on: 2015-12-23
- Released on: 2015-12-23
- Format: Kindle eBook
Amazon.com Review
Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.
From School Library Journal
Grade 7 Up- The name Frankenstein conjures a host of screen and cartoon images. This radio theatre presentation of Mary Shelley's horror story done by the St. Charles Players uses language compatible with the original text. The script is coupled with appropriate sound effects including some bloodcurdling screams. The combination should encourage student listeners to learn about Dr. Victor Frankenstein and his monstrous creation. There are contemporary issues in this classic novel's themes such as the moral implications of scientific discovery and how one person's zeal for success can affect others. Although the emotional portrayal of multiple deaths is sometimes melodramatic and the wooden speech of the monster is appropriately pathetic, overall the company moves briskly and skillfully through the story. This recording is best suited for use as a classroom aid in introducing or reviewing the book. Also, it might prove valuable to students preparing a radio theatre adaptation. The thin cardboard jacket is not sturdy enough for frequent circulation and cover art is minimal. Cassettes are clearly marked, and each side is announced. This presentation of Frankenstein is a useful but not essential purchase for school libraries.
Barbara Wysocki, Cora J. Belden Library, Rocky Hill, CT
Copyright 1999 Reed Business Information, Inc.
From Booklist
Gr. 8^-12. Part of the Whole Story series, this is the full text of Mary Shelley's classic gothic story, which was first published in 1818 and has been a wild success ever since. Philippe Munch's illustrations have none of the power of Barry Moser's unforgettable woodcuts that evoke the loneliness of the grotesque outsider (in the Pennyroyal edition published by the University of California Press in 1984). The design here is crowded, and the type is small. However, the many period prints and maps in color and in black and white, with long, detailed captions, do provide the historical setting for the story, its geography, customs, and ideas. Teens enthralled by pop versions of the myth as well as science fiction fans will be interested in going back to the full version of what has been called the first science fiction novel and learning about the circumstances under which it was written by a woman, just 18 years old, 170 years ago. Hazel Rochman
Most helpful customer reviews
184 of 195 people found the following review helpful.
Choose the 1818 version
By Jim Dollar
Most editions of Mary Shelley's landmark book available today follow the heavily revised 1831 version. The impulse behind this trend is an honorable one (to present what is seemingly an author's "final revision"),but the 1818 version is preferable for many reasons. Looking back on her creation in later life, Shelley felt obliged to alter the book's focus in significant ways, adding what critic Marilyn Butler accurately describes as "long passages in which her main narrator, [Victor] Frankenstein, expresses religious remorse for making a creature..." The author sought to make the 1831 edition less controversial and thereby more palatable to the tastes of the reading public. The 1818 version is closer to Mary Shelley's original intentions, though it too, unfortunately, was filtered through the sensibilities of her husband, the poet Percy Shelley, who took many of his wife's rather straightforward passages and rendered them into his own more ornate and Ciceronian style. Still, the 1818 version remains more vital, more original, and less constrained by what the author believed would be acceptable to readers in 1830s England.
215 of 237 people found the following review helpful.
A moving, disturbing, depressing, but also touching tale
By Ian Fowler
Much like Bram Stoker's "Dracula", Mary Shelley's "Frankenstein" is a story we all think we know, but really don't. Very few films have consciously attempted to follow the novel too closely (which shouldn't detract from the excellent James Whale/Boris Karloff film, or its masterpiece-sequel, "The Bride of Frankenstein). Thus, everything popular culture "knows" about "Frankenstein" does not originate from literature, but from films. This is a shame, in a way, because the novel itself is, if not the progenitor, an early vessel of so many archetypes found science fiction and horror.
The basic plot remained intact when transferred to other media. Swiss medical student Victor Frankenstein discovers the secret of life (which he never reveals, lest someone repeat the mistake). He then puts together a body, essentially a man, from various corpses. He then becomes horrified by the creature he has built, and abandons. The creature, suffering a great deal of neglect and abuse, still manages to get a thorough education, and learns of his lineage. After murdering Victor's younger brother, and framing the family maid, the creature tells his (admittedly) sad tale to his "father", and then demands a mate. Victor, in a panic, agrees, then thinks better of it at the last moment, destroying the new bride. In retaliation, the creature murders all of Victor's loved ones (including his wife), and leads Victor on a merry chase across the world.
Most probably know that Mary Shelley wrote this book in response to a challenge issued by Lord Byron, during a vacation at Lake Geneva. (Along with this story came John Polidori's "The Vampyre", the first English vampire novel.) Most probably also know that Shelley went on to write other works of imaginative gothic fiction. Still, her modern reputation rests with this book.
As stated, numerous archetypes (themes, plot lines, characters) are present here. The basic fear of what evil technology may bring along with the good is a central theme, as is the warning against playing God. So is the implicit admonition to be responsible in all things, be it during innovation or being a parent. The creature is, for all intents and purposes, an android-everyone from Gort to C-3PO owe their existence to the Frankenstein monster. And the monster that slays all but one protagonist is a staple of horror, be it traditional monster movies, like "Alien", or more realistic slasher movies like "Halloween".
But, as I noted at the beginning of this review, certain of these elements have been lost in most interpretations. The creature is actually intelligent, and well-spoken, quite different from the inarticulate grunts or slow, half-sentences of the movies. Further, while the films have made lightening a staple of the creatures creation, Shelley never really explains the process. Finally, one of the staples of the films is the explanation for the creatures "evil" nature. Often, the problem lies with the brain used, which almost invariably is a criminal brain, or is damaged before implantation. In the book, the creature is really a child that's horribly neglected, but with the strength and intelligence to strike back: id without superego, and without restraints.
Thus, "Frankenstein" will be a new experience for readers who know the source exclusively from the films. Unlike "Dracula", there aren't any moments where a reader might look up and suddenly realize how quiet it is in the house, or how dark it's gotten outside. In that regard, "Frankenstein" has not aged particularly well. Throughout, however, it is a moving, disturbing, depressing, but also a touching and beautiful tale. Those qualities have withstood the test of time. While it is not always a rollicking adventure, it is a rewarding read.
93 of 103 people found the following review helpful.
Kindle edition is the 1831 edition, not 1818
By MsE0
I got the free Kindle edition from the link on the page for the Norton Critical Edition of the 1818 text. Mary Shelley made many significant edits to the book for the 1831 edition. I assumed it was the same edition because the link was from the same page. I didn't realize it was different until I went to write my assigned essay and went online to search for page numbers for the passages I wanted to quote. Many of the quotes I wanted to use don't even appear in the original version. This is a very important distinction, and I wish it had been labeled correctly so I would not have had to waste so much time looking for online versions of the correct text in order to replace the quotes I could not use from the later version. This edition is fine if you just want to read the book, but if you're reading it for school, you have more than likely been assigned the 1818 version, which is very different. The Kindle edition is also lacking in any kind of Kindle formatting, making it a hassle to find locations in the book.
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